Not Your Usual Mother’s Day Post….

Yesterday was mother’s day. And it was not an easy day for me.

I set aside the day to spend with Sarah and Oot. That was my Mother’s day present for Sarah. She decided what she’d like to do, and I’d clear my schedule for it.

The plans she chose weren’t elaborate. We were going to run a few errands, get some food, then go to the park to play.

As soon as I got into the car, Oot said, “Gandalf, I don’t want to go on an adventure.”

“Oh,” I said. “Are you sure?”

“Yeah,” he said. “I’m a hobbit.”

“I think an adventure would be good for you, Bilbo. They can be a lot of fun. And you can find a lot of treasure.”

“No,” he said. “I’m too scared. I just want to stay home and smoke my smoker.”

We drove to Target, and since Sarah just had a few things to pick up, I offered to hang out in the car with Oot. Things are faster that way. Plus, we’re about to have an unexpected party, where all the dwarfs show up while Bilbo is fixing tea.

While Sarah is inside, I decide to be a good dad and coach Oot a little bit, like Sarah did for me on Father’s Day.

“Today is a special day,” I said. “Today is mother’s day. That means that you should tell your momma, “Happy Mother’s Day!”

“But I’m Bilbo Bagins!” he protests.

“Even Bilbo Bagins has a momma,” I say, thought I can’t remember who it is off the top of my head. “Everyone has a momma. My momma’s name was Marge. And she would have loved you so much.”

This might seem like it came out of nowhere, but the truth is, I think about my mom all the time. Especially around certain times of the year.  Especially when I’m with Oot. My mom died in February of 2007, just before the first book came out. Oot is only about two and a half, and that means she never got to meet my baby.

So at this point I’m crying, and trying not to make a big deal about it. Because Oot’s having a pretty good time, and beside, I’m sitting in the target parking lot.

“But I’m a hobbit,” Oot says again.

“She would have loved that you’re a hobbit too,” I say. And then I really start to lose it.

It’s a beautiful day out. I’m finally published and successful beyond my wildest dreams. I have a beautiful girlfriend who loves me beyond all sense. I have a delightful son who adores me. And I’m crying uncontrollably in the Target parking lot.

“Dad, why are you crying?” Oot asks. He’s not worried. Mostly he’s just curious, but there’s still some concern there.

“I’m sad,” I say. “I miss my mom.”

He reaches up and touches my face with the back of his hand. It’s the touch we’ve taught him to use on babies. His gentlest touch. “It’s okay dad,” he says.”It’s okay. You don’t have to cry.”

“You’re right,” I say. But I can’t stop, I’m a mess at this point.

“It’s okay dad,” he says. “I can kiss you.” And he does just that. Gives me a sweet, drooly little baby kiss on my face.

I try to clean myself up because I know Sarah is coming back soon. Oot continues to pet the side of my face. “It’s okay,” he says, again and again. “You don’t have to be sad. You can stay with me.”

Sarah and I managed to do something right over the years with him. I’ll tell you that for free. It was about the nicest thing he could have said to me. And I have no idea how he came up with it.

What’s the point of my story? Here’s my point.

I have a good friend who recently lost a loved one. Someone really important to her. A member of her family. She knew that things were getting close to the end. She’s known for ages. But it still knocked the stuffing out of her. I understand. Knowing ahead of time doesn’t really help.

A couple weeks ago I was on the phone with this friend. I was doing the useless thing you do when you want to comfort someone, but there really isn’t anything you can say.

“It’s like there’s just been a big hole ripped out of my life,” she said. “I can’t believe everyone goes through this.”

I told her that I thought the exact same thing after my mother died. That I couldn’t understand how the world could work with everyone constantly walking  around all the time feeling like they’ve been torn up inside.

What I didn’t tell her is the line from Shakespeare that kept running through my head after my mom died. It’s from Hamlet, when Polonius says, “Your father lost a father. That father lost, lost his.” You have to be a real twat to quote Shakespeare at someone. And you’re doubly a twat if you do it when they’re grieving.

“Does it get better?” she asked.

“Not soon.” I said. “But eventually. I don’t think about her for whole days sometimes. I don’t dream about her any more.”

“You dream about her?”

“I used to,” I said. “After she died. I always thought that was some bullshit literary device. Something hack writers put into stories. But it really happens, apparently. It happened a lot to me.”

There was a long pause on the phone.

“The worst part,” I said. “Was that in my dreams, she was always sick. It was just like before she died. And in my dreams we were doing everything we could to make things better for her. But you knew it was just a matter of time. They were horrible dreams.”

I’d never told anyone else this before.

“But the really bad part was when I woke up,” I said. “You know what it’s like when you wake up and you’re not sure if the dream is real or not?”

“Yeah,” she said.

“Well I’d wake up, then have a panicked moment when I thought the dream was real. But then I’d realize that none of it was true. That my mom wasn’t sick. She was dead.” I paused. “And when I realized that, I felt this huge feeling of relief wash over me, because I know I don’t have to go through all of it again. All the hospitals and doctors and funerals.”

I waited for my friend to say something, but she didn’t.

“I mean, how fucked up is that?” I asked. “I wake up from a dream and think, ‘Oh thank god. My mom is dead.’ There’s probably something really wrong with me because of that.”

“I’ve been feeling that way too,” she said. “I’m sad and it’s horrible. But I’m so relieved its all over. And so I feel guilty for that on top of everything else.”

“Well,” I said. “At least we’re both the same flavor of fucked up.”

“I can’t believe nobody ever talks about this,” she said. “I mean people have bad breakups, and you know how to handle it because you’ve heard about their breakups. But nobody talks about people dying. There’s no script for something like this.”

“It’s a real taboo,” I said. “Not one of the silly little play taboos like sex, things we aren’t supposed to talk about and we do anyway. Real taboos are things nobody even thinks of talking about.”

“Somebody should talk about them,” she said.

“Somebody should,” I agreed.

*     *     *

So here we are.

Generally speaking, when I think about something a lot, I write about it on the blog. Its one of the ways I figure out how I really feel about things. It helps me keep my head screwed on straight.

But the one exception has always been my mom.

I think about her all the time, but I rarely ever tell stories about her.

And you know what? That’s a fucking shame. Because my mom was awesome.

So we’re fixing that. Soon.

pat

posted by Pat 115 Comments

(Fantasy) Avengers Assemble!

I’m busy writing stuff and otherwise being awesome.

So instead of a great wordy blog you get a link to an article on Tor.com where they talk about assembling an avengers-style team out of fantasy characters. I was flattered to see that Kvothe got a spot on the team. That’s some rarified air he’s breathing up there with LOTR, Song of Ice and Fire, and the Princess Bride.

Quite aside from the obvious observation that Kvothe would have to be played by Robert Downy Jr. This list raises some interesting questions.

More to the point, a list like that is fanfic waiting to happen. And I personally wonder who Kvothe would:

1. Buddy up with.

2. End up Fighting in a Dark Knight Returns style grudge match.

(Yeah. Yeah. I know. That’s DC. Shut up.)

3. Rub the wrong way.

4. Rub the right way. (If you know what I mean.)

Feel free to speculate away in the comments below. I know I’m going to….

pat

posted by Pat 69 Comments

Author Talk: Building Character

About a month ago, I did a G+ hangout with Felicia Day, John Scalzi, and Amber Benson in order to promote the launch of Felicia’s new maelstrom of nerd-awesome: Geek and Sundry.

We set out to talk about what makes for good, interesting characters, and the conversation spiraled pleasantly through all manner of interesting tangents after that. In addition to being a fun talk with some of the wittiest geeks around, I think we also ended up raising some interesting points about stories, writing, truth, beauty, etc.

Anyway, if you missed the live broadcast, you can stop weeping softly to yourself in the corner. They’ve just posted up the video over on youtube.

Here it is:

Man, I really need a haircut….

pat

posted by Pat 47 Comments

SMBC Theater

For a couple years now, the guy behind one of my favorite webcomics, Saturday Morning Breakfast Cereal, has been doing humorous shorts on youtube with a crew of like-minded deviants and malcontents.

I’ve been meaning to mention them for a while, but I’ve just never managed to get around to it.

But one of their recent videos made me realize that the time had come:

Ladies and Gentleman, I give you: Existential Crisis and Dragons:

and another of my favorites:

Honestly, I could link about twenty of their videos saying, “oooh oooh, this one too!” But I’ll let you explore on your own. I’m guessing y’all know how to browse youtube at this point in your lives.

Fair warning, a lot of these videos aren’t safe for work. Depending on where you work, of course.

If you worked for me, for example, you wouldn’t get in trouble for watching a video where somebody said a naughty cuss. No. You’d get in trouble for dicking around on the internet when you should be changing into your Emma Frost outfit and fanning me with a large palm leaf while I write.

Anyway, the folks at SMBC theater have about 150 of these little gems on subjects from caveman to Russian roulette to Batman. If you like irreverent humor, odds are you’ll probably dig their stuff….

Share and Enjoy,

pat

posted by Pat 23 Comments

Alloy Of Law, Voting, and the Gemmell Award

So I just found out that The Wise Man’s Fear made the shortlist for the David Gemmell Legend award.

It’s flattering, because not only was Gemmell a great writer, but because whoever wins doesn’t just get a trophy or a certificate or something.

No. The winner of the David Gemmell legend award gets an axe.

Which you have to admit is pretty cool. It would certainly be a step up from my current writing axe.

The problem is this, when I wandered over to see who else was on the ballot, I saw that it was stacked with other really good books.

Most troubling for me, was the fact that it was up against Brandon Sanderson’s Alloy of Law.

When I saw that, I realized that I’d never actually gotten around to writing a review of Alloy, though I’d been meaning to for weeks and weeks.

I feel it’s my civic duty to talk spread the word about good books I’ve read. So I finally wrote it up and  posted it over on Goodreads.

For those of you who have some sort of odd, trauma-borne link-clicking phobia, here’s the jist of it:

“Sanderson has now been added to a very short list. Specifically, the list authors I wish to kill so that I might eat their livers and thereby gain their power.”

It’s a really good book. Not just because of the story. But because what he’s doing is really amazingly different. (Read the review if you want the details.)

So here’s the deal. One of the nice things bout the Gemmell Legend Award is that it’s decided by a popular vote. Y’all can go in and voice your opinions.

But the OTHER nice thing is that the voting goes until May 31st.

That means if I put up a link here, y’all have plenty of time to go out and read some of the other books on the list. Fairly assessing all the options and making an informed choice.

This is the thing you should do when you vote, you realize. Making informed choices is what gives you the right to call yourself a human being.

Consider this practice for other voting type things that might be looming on the horizon. When I put up the link, don’t just wander over there, bleating like a sheep, and click the name that looks most familiar to you. Don’t vote for the option all your friends have been talking about. Don’t vote for the person your parents trained you to vote for.

No. Look at your options. Gather data. Be a rational human and make a informed choice.

Trust me. It’s good practice. This is an important thing to practice.

And here’s your link.

pat

posted by Pat 81 Comments

An Interview With Mary Robinette Kowal

So in the past, I’ve been known to interview folks from time to time.

Today, helping me continue that fine tradition, is the inestimable Mary Robinette Kowal.

Heya Mary,

Well, hello there!

Thanks for agreeing to do this.

Problem is, I’m really bad at introductions. So let’s do it this way:

Let’s say you’re at a party and you end up mingling with people you wanted to impress. What sort of things about yourself would you casually drop into the conversation to prove that you’re awesome? They don’t all have to be true.

The fact that I’m a professional puppeteer is always a conversational cheat. If I really want to hold onto the conversation I’ll then follow up with working in Iceland, or a story of a show gone horribly, horribly wrong. The fact that I’m an author… I’m still not used to that.

It’s nice to hear I’m not the only one that’s still not used to it. I’ve always written, but I’ve only been an author, (that is to say a professional writer) for a comparatively short period of time.

Okay. My turn. You’re also Vice President of SFWA.

True, but there are two types of people to whom I would be chatting with at a party. People that would have no idea what SFWA is and people who DO know and want me to fix something. The last thing I want to do is to remind them that I’m the vice president. Besides, I’ll be out of office at the end of June.

You’re also a Hugo Award winner and a Nebula nominee.

Oh… yes. Those don’t seem real sometimes. I just… I wouldn’t bring them up at a party because they feel like bragging. I sort of feel like I didn’t have anything to do with being tapped for those, even though I know that it’s for my work. It’s just that they were such amazing surprises that I feel more like it’s a gift the fans gave me and that I shouldn’t take credit for it.

Although at panels at conventions I totally do, because it provides context. Just the party setting that feels awkward. I guess I should also mention that I won the Campbell Award for Best New Writer in 2008 and my work has received two UNIMA-USA Citations for Excellence, which is the highest award an American puppeteer can achieve.

Also, I’ve met Sting. You did say it was a party, right?

Oooh. That’s definitely braggable. Was he cool?

He was very cool. I taught him the lyrics to a song, but to get that story, you’ll have to ask me at a party. A girl needs some mysteries left to talk about.

Lastly, but not leastly, I should mention that you’re the author of the recently published Glamor in Glass.

A book I enjoyed to a startling degree, despite the fact that it was well outside my usual reading habits. (For more details, you can read Pat’s review on Goodreads.)

Let’s start with an easy question. What Muppet do you feel the strongest emotional connection with?

Ernie.

At World Fantasy this year I saw someone stop in the hallways and thank you for “writing a regency novel that doesn’t suck.”

Do you think of yourself as a regency writer?

La! At this point, it would be hard not to but– and this is important – it is not the only genre or time period I write in. That’s something that my agent and I talked about at length when we were making career plans for me, in fact.

When I’m writing short form, I write all over the map. Science-fiction, horror, secondary world fantasy. It’s all fun. But in long form, we’re keeping me in the historical fantasy realm, and my first four novels will all be set in the Regency.

Assume that I’m an idiot and don’t know what Regency literature is.  Could you explain the genre to me?

This is basically work that is set loosely in the Regency period, although most people expand it to include the 1790s up through the end of the 1820s. That means that you are looking at stories influenced by Jane Austen and the Napoleonic Wars. So Georgette Heyer and Patrick O’Brien are both writing in the Regency but they write completely different books. I clearly am more on the Austen end of the spectrum.

Do you find it tricky to write in a well-defined historical time period?

Yes. Oh, heavens, yes. Part of the trouble, of course, is making sure that you get the details right but the larger challenge is making all of that accessible to a modern audience. Jane Austen could say that a room was done in the most fashionable style, but  my readers have no idea what the fashion of the day was– actually, let me rephrase that. SOME of my readers don’t. Others can tell you the exact thread count of the preferred muslin fabric. And that doesn’t even get into trying to explain that today’s muslin is NOT the same thing as muslin in Austen’s day. Ah… language.

How do you deal with that sort of thing? I mean, the language has changed in some pretty drastic ways over the last 200 years…

Most of it hasn’t, thank heavens, and is still recognizably modern English but where it did change, it was often a doozy of a shift. Like the word “knowledgeable” which used to mean famous and now means well-read or educated.

In Shades of Milk and Honey, I tried to get the feel right but didn’t worry overmuch about if a specific word was period-correct for 1814. Two days after the book came out, a fan called me to tell me that I’d misused the word “check.” It meant “to stop” so a line like, “I shall check on the strawberries” became unintentionally comic.

In an over-reaction, I created the Jane Austen spell-check dictionary for Glamour in Glass. Basically, I took the complete works of Jane Austen, ran it through an engine that created a list of unique words, which I then plugged in as a spell-check dictionary. It flag any word that she didn’t use. From there, I looked it up to see if the word a) existed in 1815 or b) had shifted meaning.

I did take pains to use words that were accessible to a modern reader, and even used a couple that didn’t exist because they were the right word. At the end of the day, authenticity is less important than the story. If it gets in the way of a reader understanding, then I’m doing it wrong. But since language reflects the culture that uses it, an attention to word choices can enhance the texture of the novel.

Can you give us another word or two you had to do without?

Leyline. I thought it was this ancient word, but it turns out that it was coined in the 1950s.

Wastepaper basket. Trashcans, wastepaper baskets, garbage cans… none of these exist even as a concept. Everything got reused, fed to the pigs, or burned in the fire.

I’ve actually got a list of the words I cut on my website.

If you had to pick your favorite story of all time, in any medium, what would it be?

You’re kidding, right? I mean. One story. Can you answer that question? The one I have reread the most frequently is Steven Brust’s The Sun, The Moon, and The Stars but my favorite changes by the hour. And seriously. What’s your favorite?

I am as constant as the moon. The Last Unicorn by Peter S. Beagle holds its place firmly in my heart.

That is a beautiful book. See, now I’m tempted to say The Princess Bride since I realized you said any medium.

Johnny Depp, or Brad Pitt?

Nathan Fillian.

Agreed. You’re the first one to realize that was a trick question.

What’s your revision process like?

I don’t revise. What you see is exactly the way I write it. It takes me about a month to write a novel.

Um. What?

I’m messing with you. I just wanted to see your face when I said that and totally should have asked for a camera.

God. Wow. Yeah. You got me.

I was really ready to hate you. Like, hate you forever and ever. Seriously.

Mwahahaha!

In truth I have a fairly fluid revision process. I put a lot of work into having an outline that is structurally sound so that I can put my writing effort into the emotion of the scenes. While that outline gets tweaked and adjusted as I go, it does mean that my revisions don’t usually involve major structural shifts.

I also write with alpha readers following along. They are seeing raw draft. I instruct them to just talk about how the story is playing and not to talk about sentence level issues. Generally, I stay about two chapters ahead of them, which I find is about the right spacing to be able to adjust to their reactions to the story and not need to ask them to re-read material that I’ve altered. Occasionally, I ret-con things for them. Having that give and take is helpful for me.

It also gives me the freedom to focus on the story and not the language. After I finish the story, I do a read-through to look at structure and pacing. Then my last pass is a language pass. I do a once over with the spell-check dictionary then read the entire thing aloud to adjust flow.

All told, I spend a couple of months in the outline/research phase, about two months to get the first draft, then another three months to revise and edit it.

Okay. That’s an acceptable timeline. We can still be friends.

Oh good. That would be awkward at parties otherwise.

You’re relatively new to the publishing world. How has getting your book published changed your life?

Well, I’m doing a heck of a lot less puppetry. I travel almost as much as when I was on tour. And no one tells you this, but writing is really hard on your body.

How do you mean, specifically?

I was in a really active profession and writing is so sedentary. I put on about fifteen pounds, just because I wasn’t moving around enough. My lower back hurts from sitting too much. As a species, we’re just not designed to sit all day.

Now, I’ve got a standing desk that I use at home. I walk at least a mile every day, and do push-ups and squats daily to try to stay at least a little fit. I’m back down to about five pounds over my performance weight and feel pretty okay with that.

How many copies of your own books do you currently own?

One and a half shelves. But that includes magazines and anthologies. Shades of Milk and Honey itself? Seven copies. We have a small apartment.

What’s the most shameful self-promotional thing you’ve ever done?

Worn a white spandex body-suit?

Don’t bother googling it folks. I just tried and came up dry….

It’s what we wore in the puppet show that my company performed at WorldCon in 2011. There is actually a photo out there someplace.

We’ll see if anyone can find it and post it in the comments below.

Do you have a particular piece of grammar that you screw up regularly?

Lie, lay, lain, laid…. I just avoid using the word.

God. I’m awful at that one too. It’s just wired into my head wrong.

It’s just mean is what it is.

If you could punch one literary figure in the face, who would it be?

Hm… Tricky. Someone living could fight back. Someone dead would be all icky plus the bother of digging them up.

Edith Sitwell used to lie in an open coffin before she began her day’s writing. Do you have any little rituals that help you write?

I set a timer or try to meet up with friends. I’m a natural procrastinator, so I have to create deadlines.

So you mean you actually meet up with friends to write?

I do. Usually at my local coffee shop – which contributed to the aforementioned weight gain – but that doesn’t always work out. What I’ve lately been doing are virtual hangouts via Google+. We do 45-minutes of writing, followed by 15 minutes of chat. It’s great because it allows each writer to retain control of her own space but also socialize. Plus, the power of peer pressure means that everyone winds up being productive. Laura Ann Gilman said, “It takes the lonely out of writing.” She’s totally right.

That’s something I’ve been struggling with for years. I have some pretty serious erimitic tendencies, but the solitary nature of the profession still gets to me.

Is the beard an outward representation of your erimitic aspirations? And really? Did you just really use erimitic in cold blood?

Yeah. That’s how I roll.

And that’s why I like you.

A while back, I made a joke about Transition Putty on my blog. That being, of course, the what we writers buy at Home Depot to smooth out our rough transitions.

If you could have some sort of handyman tool like that, something like Plot Spackle or a Character Level. What would it be?

Didn’t you get the toolbelt? I thought they assigned that to everyone when you sold your first short story. Oh… wait. You’re only a novelist. No wonder. Right… Sorry, dude. Anyway, out of that set, I find that I use the Handwavium pellets the most.

Ah, good old Handwavium, most unstable of the inner-transitional elements.

Thanks much for gracing us with your presence and indulging my curiosity, Mary.

Always a pleasure to chat with you, especially if you’re going to give me a chance to brag and play with your head.

*     *     *

As an added bonus, Mary has agreed to play with us here in the comments section of the blog for a couple of days. That means if you want to ask her a question, you can. And if she wants to answer it, she will.

This is the first time that I’ve done this sort of thing with another author, so I’m trusting y’all to be your regular genteel selves.

Which is to say that if you kids don’t behave yourselves, I swear I will turn this blog around.

Have fun,

pat

posted by Pat 102 Comments

Love Story, Horror Movie, and WPR

A couple weeks ago I did a radio interview with Veronica Rueckert on WPR. We had a fun discussion with Laura Miller about The Hunger Games and what makes for a good female character. (Among other things.)

For those of you who might be interested, they’ve got an archive of that broadcast, as well as a few other things I’ve done with WPR over the years.

Or, if you’re looking for something a little more texty, here’s a sweet story of a young couple in love., and how they met, in part due to a certain book….

Lastly, I feel morally obliged to remind y’all that Joss Whedon Cabin in the Woods is coming out this weekend. Early reviews look good, plus, y’know JOSS WHEDON.

My plan is to go see it, preferably in the company of an attractive, easily startled young woman. That way, when the movie gets scary, she will cling to me desperately for comfort.

My plan is a good plan.

pat

posted by Pat 28 Comments
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