Category Archives: babies

Using Your Words

If you read this blog (and I’m guessing most of you do) you know I tell a lot of stories about my older boy, Oot, who’s creeping up on 6.

I have another son, who’s a little over 18 months old. I don’t talk about him as much for the simple reason that when you’re that young, there aren’t as many stories to share. Babies are, to be completely honest, fairly useless. They can’t do much, either physically or conversationally.

20141103_123630(Goldbricker)

But Cutie Snoo has been talking more lately. What’s more, he’s started saying “dada” again, after a few months of heartbreaking hiatus.

It’s a fascinating time in a kid’s development. He’s learning how to express himself, and if you’re good at interpreting, you can get a little window into how his charmingly unspoiled little baby mind works.

Tonight, I ended up having to do a fair amount of work (because that’s what Labor Day is all about, right? Working until 9:30 pm?) and as a result, I missed my kid’s bedtime. By the time I wrapped up the things that needed immidate attention and opened the door to my office, the house was dark and quiet.

Still, I crept into the room where they sleep with Sarah. It was dark and as I stepped close she said, “the end,” finishing what was no doubt their bedtime story.

“dada” Cutie said.

I crawled into the bed and lay next to him. It’s a big bed, but I still had to move carefully because he’s so tiny and it’s so dark.

I smooched him, and he squirmed around a little bit until he was nestled next to Sarah, then he said: “my mama.”

There’s only so much that text can do to replicate a baby’s speech. Most linguists agree that nonverbal communication (which includes things like tone, inflection, and body language) accounts for about 80% of the total information transmitted when we talk. But when you’re a baby and your entire sentence is two words, that number is pushed even higher.

Here’s part of what he was saying: “My mom is here.”

But he was also saying, “Look at me, cuddled up against my mom.”

But he was also saying, “Look, this is my space. There are boobs, like, right here, and they’re great, and that’s kinda my thing, and I’m going to sleep next to them. So just be clear, I’m glad you’re here, but don’t try to pull any shit with me. This is *my* mom. Okay? Okay.”

(In his defense, I do sometimes tease him by trying to steal the boobs from him while he’s nursing. So this is not an unfounded fear on his part.)

Last and not least, he was also saying, “Isn’t this great?”

It was clear as day what he meant. And now that I was closer to him and my eyes had adjusted a little, I could see him smiling. His tone was so contented that it was actually kinda smug. And his body language… he wasn’t just relaxed. He was deliberately and theatrically lounging.

It made me realize how awesome his life is. Think about it. How cool must it be to go to sleep next to the person you love without any reservation? The person who is, in effect, three quarters of the known universe? To know if you are hungry or need comfort or a cuddle, a boob is right there. Like, literally, right by your head. To know that you’re cared for. To know you’ll be taken care of. To not have any fears or worries that ride you into the night and make you wake up sweating?

What must that be like, to feel like that for days at a time?

I’m not going to lie. Thinking about it now, I’m more than slightly jealous.

But at the moment, I was jealous for a different reason. He’d said, “My mama” with such smugness and satisfaction, but he’s never said, “my dada.”

I should be better than that, I know. But I’m not. I’m not going to carry a grudge or anything, but still, I can be jealous.

“My baby,” I say, and I kiss his belly.

I say goodnight to him, and give more kisses, and promise that tomorrow I’ll try to spend more time with him.

“Bye,” he says. “Go. Go!” he pushes at me with his foot. This might sound like a dick move. But it was playful. Not mean. And there’s nothing wrong with letting someone know what you really want. If I was all geared up to snuggle with a boob as big as my head and someone was there who might ruin it for me… well… I’d kick them the hell out of my bed, too.

I get up and I say goodnight to Oot, too. (He’s on the other side of Sarah.)

Then I get up and start to leave. “Goodnight my family,” I say.

“My dada,” Cutie says, and I get all melty inside.

“My baby,” I say.

“He’s reaching up for you.” Sarah tells me, because she knows I can’t see him in the dim.

So I get down into the bed and kiss him again. A lot. On their deathbed, nobody ever says, “I wasted my life kissing babies.”

Still. Oot has school in the morning. I know I’m keeping them all from getting to sleep. So I get up.

“Mo,” Cutie says. This is one of his other few words: more.

“Mo dada,” he says. In the dark, I can see he’s reaching up again. “Mo my dada. Mo bebe dada. No bye dada bebe.”

I think it was Robert Bly who said vocabulary wasn’t important for a writer. He claimed you could write marvelous poetry even if you only knew 200 words, so long as you knew how to use them properly to get your point across…

He’s not wrong.

Later all,

pat

Also posted in Cutie Snoo, day in the life | By Pat36 Responses

Being Evil

Tonight, I was playing in the living room with my girlfriend (Sarah) my oldest son (codename Oot: age 5.5) and my youngest son (codename Cutie Snoo, age 1.5)

It wasn’t anything fancy. Nothing organized. I’d just come back from recording this week’s podcast with Max Temkin, and rather than head upstairs to do more e-mail, as I am wont to do, I decided to stay downstairs and play with the kids.

A large part of this is because my Cutie is at a magical age. 18 months is pretty awesome. After a bit of a hiatus, he’s saying da-da again, and it pulls at my heart.

Those of you without kids might have trouble understanding how enthusiastic an 18 month-old can be. Let me explain.

You know how excited a dog can get when you’ve been away for a couple hours? (Or let’s be honest, when you’ve just left the room for a couple minutes). At 18 months, my little boy has that level of enthusiasm. He runs up to me, his face all lit up, grinning, his legs doing that straight up-and-down stomping walk that’s the closest he can get to a run.

And all the time he’s saying “da-da-da-da-da-da!”

So yeah. It’s pretty fucking amazing. I’m not going to lie.

Anyway, I’m hanging out with my family, and Oot walks up to Sarah and says, “I’m so… thirsty! Can you please… get me… a drink of water?”

His performance makes it clear that he is about to die from thirst. People in the desert don’t have it this bad. He’s really going full Shatner in his performance.

Sarah starts to get up to get him a drink of water. She does this because she loves him.

Sarah and Oot

(Exhibit A)

“You know where the water is,” I say to Oot. “You can get yourself a drink. You’re a very grown-up child.”

I say this because I love him too. Sarah and exhibit our love in different ways. She wants him to be happy now. I want him to be happy in the future, and part of that is making sure he’s self-reliant.

Plus he’s five. If we were living in the wild, he’d be hunting and cooking birds on his own. So yeah. He can get his own drink of water.

But here’s the thing, it’s a little late at night. The kitchen is on the other side of the house. It’s a whole, like, 50 feet away. And it’s late in the evening, so that part of the house is kinda dim.

And he’s five, so he’s a little scared of being alone, and of the dark.

“Will you come with me?” he asks.

This is a familiar dance. We want him to do things for himself. He wants company. We want him to be brave. He wants to feel safe.

Nobody’s wrong here. We all want good things. But they’re in conflict.

“You can do it,” I say. “I know you can.” (Don’t get me wrong here. I’m not some muy mas macho monster. If it was fully dark in there, I’d work with him. But it’s not. He can handle it. He has before. It’s good practice for him.

I’ll tell you a story,” Sarah says.

This is a compromise we use sometimes. If he hears our voices, he knows he’s not alone. So one of us will tell him a story, and it will help him go somewhere in the house when he’s a little spooked.

“I’ll tell you a story,” I say.

“I want mom to do it,” he says, moving toward the baby gate that leads into the dining room.

He’s on to me.

Once there was a little boy who really liked candy,” Sarah says. “So he decided to go exploring.

I’m going to be honest here, Sarah’s narrative structure isn’t the best. Her themes can be kinda muddy sometimes, and, truthfully, her stories are often really lacking in terms of the Aristotelian unities. But even so, I know she’s up for this. Two minutes of story will get Oot into the kitchen and back. I watch as he opens the gate then turns on the light to the dining room. Out of our line of sight. Out of his line of sight. He’s gone.

So one day he walked out into the the backyard and he found–

A Thousand Angry Ghosts!” I say. I don’t yell it. But I say it in a really loud voice. My phantom of the opera voice. I project from my diaphragm.

And from the other room, comes a high, piercing scream. It lasts for a full two seconds.

Then Oot comes running back into the living room.

You’re going to have to trust me on this, it was *super* funny. Sarah will back me up on this.

You see, most days, I’m a good dad.

Other days, I’m an AWESOME dad.

Stay tuned, everyone. Soon we’ll have bedtime stories.

Seriously,

pat

Also posted in Beautiful Games, Because I Love, Cutie Snoo, Oot, podcasts, Sarah | By Pat26 Responses

Cutie, Crying, and the Weirding Way

I was just laying in bed with Sarah and our youngest child. He’s just a little bit over one year old.

little bug

Codename: Cutie Snoo. (Because I don’t like using my kid’s real names online.)

I don’t know how it works in other households, but in ours, a lot of the day-to-day kid activities end up happening on the bed. Sarah has a huge king-sized mattress that just rests on the floor. Partly because she likes it that way, and partly because low-to-the ground beds are easier and safer for kids.

Anyway, I’m laying in bed with Cutie. I’d come in to hang play with him when I heard him wake up from his nap.  A little later, mom joined us, because she has the boobs, and boobs make everything better.

Cutie was laying between us, nursing (on Sarah) while she and I were talking.

Then, unexpectedly, Cutie rolled over and pushed a little baby spoon he carries around with him at my mouth.

It surprised me. It bounced off my lip a little bit, and hit my teeth. It hurt just a little, about as much as it would if you poked me in the mouth with your fingernail. We’re talking… like… half a newton of force, tops.  Not enough to crack an egg.

Still, it surprised me. And it hurt just a little.

So I looked at him, and I said, “Ow.”

Didn’t shout it, didn’t bark it. Didn’t even do my disappointed dad voice.

I mention this because over the years I’ve learned my voice is a powerful thing. Where my kids are concerned, I’m one of the Bene Gesserit. I’m the Kwisatz Paterach. I’m Black Bolt.

I’m not sure why this is, exactly. I’ve got a pretty good baritone, but it’s not earthshaking by itself. Maybe it’s the fact that I’ve been a teacher. That I’ve been a singer. That I was a performer who never really liked using a mic until the crowds started topping 100 people and I was forced to go electric.

Maybe it’s all of those things together. I don’t know.

What I do know is that I discovered early on in my parenting career that if I wasn’t careful with my voice, I would terrify my children. Once, back when he was about 16 months old, I barked Oot’s name at him from the top of a stairway and he went into fetal crouch, trembling with animal fear.

I felt like king asshole of the universe at the time. I still do. As a parent, you slowly build a portfolio of memories. Things your children will never remember, things that you will never forget.

Standing at the top of the stairs, looking down at my terrified boy, I thought to myself, “You need to get this shit under control right now, Rothfuss…”

So I did. Slowly. Over many years.

All of this is to say that I’m very careful with my voice these days. I don’t bark. I rarely even snap or get a little sharp in my tone. There’s no need, just a little disapproval in my voice is like iron to these tiny little faen creatures I have flitting around in my life.

So. Remember where we were? Bed. Cutie. Spoon.

I looked at him and said, “Ow.” Not because he hurt me, but because I want him to know that he *can* hurt someone. He needs to learn to be careful.

“Ow,” I said. Softly.

Hearing me, Cutie turned away, facing back toward mom.

“He was trying to give you a bite,” she explained to me.

I nodded, only understanding then what he’d been trying to do with the spoon. It’s a game I’d seen Cutie play with her, but he’d never done it with me before.

Looking down at him, Sarah’s face goes concerned, then she looks up at me. “He feels bad,” she says.

Then Cutie gave a little sob. It was tiny, but it was one of those deep ones. One of the ones that comes out of you in a lump: “Uh-huh.”

When you’re a parent, you learn the different types of crying. You learn to recognize the panicked cry of a baby that’s hurt. There’s the “I can’t believe you took that away from me” cry. There’s the “I’m tired and can’t hold my shit together” cry. There’s the rare, furious red-faced rage rage rage cry. There’s the “Where’s Mom?” cry.

This wasn’t any of those. It went, “Ah-huh” and it was nothing but sadness. One sob. Pause. Then another. Then he was really crying.

He felt bad. He was sad that he’d hurt me.

I read something somewhere that said children start to develop empathy when they’re 3 years old.

I’d like to officially go on the record as saying that is bullshit.

Cutie is 13 months old. He can speak about 10 words, and those he speaks badly. He can’t run, or jump, or eat with a spoon.

But he feels bad when he hurts someone. This is something some adults have yet to learn.

He’s is my boy. My sweet boy. I am so proud of him.

pat

Also posted in Cutie Snoo, How to be a Worthwhile Human Being, musings, Oot | By Pat30 Responses

My Far Wanderings: San Diego and Spain

So this week begins the pure madness of my convention season.

Amanda and I did the math a few days ago and realized that between now and mid-September, I’m only home for 15 days. And those days are not all in a row.

First on the docket is…

  • San Diego Comic Con

I’ve made a habit of SDCC for years now, but this year I’m trying something a little different.

Because I hate being away from my family for large swaths of time, Sarah, Oot, and Cutie Snoo are coming with me to the con.

Cutie - 8 weeks

(The shirt was a gift. Honestly.)

Because I don’t normally travel with my kids, I think this would be a good time to establish some ground rules. Okay?

1. Being off-duty.

One of the main reasons I go to conventions is to see/hang out with/interact with my readers. I like meeting you guys.

That said, one of the *other* reasons I like going to conventions has nothing to do with you. It’s simply that I like going I like going to conventions. I like wandering the dealer’s room, looking at stuff, hanging out with my friends, and just being a geek.

Does that mean that I resent it when someone comes up to me in the dealer’s hall and asks for a picture or an autograph? No. Not really.

But you have to realize that sometimes I’m in a hurry to get somewhere. Sometimes I’m tired. Sometimes I haven’t eaten all day. Sometimes I’m enjoying the only free time I have available all day. Sometimes I’m just trying to get to the bathroom and you’re the third person to stop me in the hallway.

That means that if I beg off, and say, “No, I’m sorry, not right now.” You have to respect that.

I’m not saying you have to be delighted. I get that you might *really* have your heart set of getting a picture with me and the nearby statue of Sailor Moon. But it could be I’m late to a panel. It could be I only have 25 minutes to eat some food before I’ve got an interview. It could just be that I’m really, really weary and not feeling very social at the moment.

Let me put it this way. While at many points in the convention I am absolutely all-the-way there just for you. At other times I’m not. And if you hit me in one of those *not* times, I’m well within my rights to politely decline your request.

To simplify, when I’m at a convention, I exist in two possible states:

On Duty – Signing stuff. Doing panels. Taking pictures. Playing games.

Off Duty But Approachable – With the understanding that I might not be up for anything right now.

But now we have a third option, too: With My Family

If you see me at the convention and I’m carrying a baby, or pushing a stroller, or sharing an ice cream cone with my son that means I’m With My Family. During these times you should probably consider me extra-off duty.

Can we exchange companionable nods with one other? Sure. Can you offer up a geek solidarity fist bump? Absolutely.

But asking me to pose for a picture, sign a book, or explain the best way to get an agent? Not so much.

2. Don’t touch my kids.

I know. My children are fucking adorable. It’s like their mutant power.

And I know that wanting to touch kids is a totally normal mammalian response.

And I also know that a lot of you feel a connection with me, and with my kids. You’ve seen pictures of them. You’ve read stories about Cutie on facebook and seen the #OotSays hashtag on Twitter.

But seriously. Don’t touch them. I don’t know you. We don’t want them getting convention plague. And more likely than not, a stranger coming up and pawing at them is just going to freak them out.

And you *really* don’t want to see my grizzly bear type protective dad instincts kick in. You really don’t. Really. You don’t want to spend comic con in the hospital, and I don’t need the bad press.

So. Consider this fair warning. Tell your friends.

*     *     *

  • My San Diego Comic Con Schedule

Thursday, July 24
4-5pm Putting the Epic in Epic Fantasy Room: 25ABC
With Robin Hobb, Joe Abercrombie, Raymond E. Feist, Django Wexler, Morgan Rhodes, Sam Sykes, Moderated by Brent Weeks

5:30-6:30pm Signing table, AA09

Friday, July 25
1:30-2:30pm Playing Gloom with Geek and Sundry
JOLT ‘N JOES
379 4TH AVENUE, SAN DIEGO, CA 92101

Saturday, July 26

1-3pm Signing at Badali’s booth – #532
4:15-5:15pm Rulers of the Realm Final, Room 6A
With Joe Abercrombie, Diana Gabaldon, Lev Grossman, George R.R. Martin, and moderated by Ali T. Kokmen.

Other booths where I tend to lurk:

  • Mysterious Galaxy: #1119
  • Penguin Booth: #1028
  • Badali: #532
  • Geek Chic: #4928
  • Thinkgeek: #3849
  • Karen Hallion: Artist’s Alley BB-11

If anything else comes up, I’ll probably just tweet about it.

  • Spain: Madrid and Aviles

After San Diego, I’ll be going straight to Spain.

First, I’ll be doing a live interview on Espacio Fundación Telefónica on Tuesday, July 29th.

The show starts at 19:00 (UTC+02) and it will also be broadcast on their podcast channel, so you can listen to it from anywhere. For more details, the podcast, and a chance to get tickets, visit their site at http://espacio.fundaciontelefonica.com/.

Then, I’ll be headed to Aviles to Celsius 232. From what I’ve heard, it’s a really cool con. What’s more, it has no badges or entrance fees, so anyone who is in the area can come see me.

Thursday, July 31
1:15 PM – 2:00 PM Adventures of the Princess Panel. Carpa de Actividades.
Conducted by Jorge Ivan Argiz.
2:00 PM – 2:45 PM Signing in the Carpa de Actividades.

Friday, August 1
10 AM – 12 PM Signing in the Carpa de Actividades.
6:15 PM -7:30 PM The Works of Patrick Rothfuss. Casa de la Cultura.
Conducted by Diego Garcia Cruz.

Saturday, August 2
10 AM t – 12 PM Signing in the Carpa de Actividades
6:15 PM -7:30 PM Three Different Approaches to Fantasy. Casa de la Cultura.
With Brandon Sanderson and Joe Abercrombie. Conducted by Cristina Macia and Jorge Ivan Argiz in the Casa de la Cultura

Hope to see some of you soon….

pat

Also posted in Being a Curmudgeon, conventions, How to be a Worthwhile Human Being | By Pat90 Responses

Introducing….

Everyone, I would like to take this opportunity to introduce someone to you….

Meet young master Kvothe:

IMAG0532

(You may have heard of him.)

You can click to embiggen if you like, but he’s pretty tiny. There’s only so much embiggening that can be done….

Here’s the story, and forgive me if I’m a little vague on the details, but I’ve promised his parents I’ll keep quiet about specifics for the most part.

I was contacted by a relative of little Kvothe a couple weeks ago. He mentioned that there had been a baby born in his family named Kvothe, as far as he could tell, my character was the only Kvothe out there.

(This is true. Somewhere in my files, I have a screen capture of a pre-publication google search that showed no hits on “Kvothe.” As far as I can tell, I was the first.)

My reaction to his e-mail was pretty much along the lines of “pull the other one, it’s got bells on.”

I wasn’t quite so British about it. (I’m reading some Pratchett right now, and it’s seeped into me.)

In fact, I think my whole response to his e-mail was, “Seriously?”

I honestly didn’t believe him.

I knew it might happen eventually. Statistically, it was probably going to happen sooner or later. I’ve already had one baby named out of the book a couple years back. But that was “Andan.” His name just comes up a couple times in the book, and if you wanted, you could always claim that you pulled the name from the Swedish word for “Breath” or something like that.

I’m pretty sure there’s a little girl with the middle name “Auri” out there too. Though I lost some e-mails a while back, and I can’t find record of it right now….

But yeah. They were serious. His name is Kvothe. They even sent me a picture of the birth certificate.

So there’s a little Kvothe out there in the world. It boggles the mind a little bit.

I feel an attachment to the little guy. I feel like a godfather or something, though I’m not. I feel like I’m responsible for him in a way.

All of which is crazy, of course. I’m aware of that. But I have a problem in this regard. It’s hard for me not to feel responsible for things.

Ah well, crazy or not, all I can really do is wish him the best….

Hello little Kvothe, 

It will probably be a long time before you read this, if ever. I just wanted to give you my best wishes and fond hopes for the future. 

I hope you grow up sweet and loving. I hope you grow up clever and strong. I hope you are happy.

I hope your life is hard, but not too hard. I hope you are careful, but not too careful. I hope you make beautiful mistakes and learn things. 

I hope you always have ten good friends who are close to you. I hope you know that you are loved. I hope you make the world a better place.

Thanks for making me smile, 

pat

Also posted in naming, Surreal enthusiasm | By Pat68 Responses

House on the Rock Part 1: Deadlines and Ducks

Halloween has always been one of my favorite holidays.

When I was young, I dressed up and went trick-or-treating in my Grampa’s neighborhood because we lived out in the country.

Me, my sister Jamie (the witch), and two of our cousins.

When I was in highschool, I toilet papered people’s houses. (Mostly friends’ houses, honestly. It was a sign of affection.)

When I was in college, I started throwing parties. In fact, I think the first party ever threw was a Halloween party back in 1993. The theme was “Come as your favorite god.” I dressed as Pan, and later that night, downtown with my friends, I got into the only fight of my life dressed in nothing but a leather vest, horns, and a pair of furry tights.

Later in my life, after I had sold my book but before I was published, I went to the Penguin Halloween party dressed as a garden gnome. (Penguin the publisher. It was not a party for actual penguins.)

Note: this was before Anton Strout put on his costume.

I had a smashingly good time. It was the first time I met most of the folks I still work with to this day. Honestly, I can’t think of a better way to start our professional relationships off on the right foot.

I mention these things to give you a frame of reference.  Halloween is one of my favorite Holidays.

Earlier this year, my lovely assistant Valerie brought some cool news to my attention. Neil Gaiman was having an event at House on the Rock over Halloween weekend. I was thrilled. I bought tickets for me, Sarah and Oot, my sister, as well as Valerie and several friends.

True, it meant I would have to miss the World Fantasy Convention again. And that’s a convention that, as as professional, I should really make an effort to attend. But this was all the coolness of Halloween, plus Neil Gaiman, PLUS House on the Rock. It was like some sort of mythic trifecta. On top of it all, the event was close enough for me to drive to.

How could I not go?

*     *     *

By the time Friday the 29th rolls around I am a complete mess. I’ve been revising The Wise Man’s Fear for months. Endless revision. Sometimes for fourteen hours at a stretch. My deadline looms over me, and the thought of having to finally let go of the book forever is absolutely terrifying.

At this point I know that planning on going to the House on the Rock was a huge mistake. I have to turn in the book on Nov 1st, and they’re going to use that version to print the Advance Reading Copies of the book. It’s not the final draft of the book, but it’s the version major reviewers and bookbuyers will read. This is a big deal.

Everyone says it will be good for me to get away for the weekend. I need a vacation. I’ve earned it. Etc. But the truth is, if I stayed home, I know I could get another 30 hours of work done on the book.

But I have to go. Sarah will be disappointed if I don’t. I’m meeting friends there, one of them I haven’t seen in more than a year. I’m part of a group costume. I’m moderating a panel on Saturday. I have to go.

We’re late leaving for House on the Rock. It’s my fault, I spent all night revising and didn’t pack. Since I only got four hours of sleep, Sarah offers to drive, and I ride in the back next to Oot. It’s nice, because I don’t get to spend as much time with him as I like. The two and a half hours in the car is more time than I’ve spent with him in the last three days combined.

Oot and I hang out on the ride down to Spring Green. I make up little songs for him. We both play with his feet. He can say “duck” now, so that gives us something to talk about.

Eventually he falls asleep, and I’m thinking of doing the same when the Magellan starts giving us bullshit directions. I don’t handle it well, and I’m bitchy at Sarah and her co-pilot Joyce. They deal with my bullshit with remarkable aplomb.

We make it to House on the Rock with time to spare. There’s some confusion with the tickets, but the House on the Rock people are cool and it all gets worked out.

I meet a couple of friends. I meet my sister. She’s one of my favorite people, and I don’t get to see her nearly as often as I’d like. Hanging out with her helps me settle my shit down a little. We share Oot back and forth, taking turns holding him. The three of us talk about ducks.

7:00 rolls around. The beginning of the festivities. Neil Gaiman is doing a reading and Q&A in a big tent next to the visitor’s center. We take places in the back, partly because I’m a lurker, and partly so that if Oot gets scrawbly we can take him out the back exit before he bothers folks.

Gaiman is charming as always. Gentle and funny and well-spoken. I’ve never heard him otherwise. Oot does get a little noisy. Not fussy, he just likes to talk and doesn’t understand that sometimes he just has to shush. He gets that from me. Sarah takes him out of the tent for a bit. Then she comes back and I grab Oot so she can listen to Gaiman for a while.

Oot and I go into the visitor center so he can take off his coat and walk around. He’s a pretty good walker now, and doesn’t fall very much at all.

Sarah comes in and checks on us ten minutes later. I appreciate that. Sometimes Oot gets unhappy, and nothing can make it better but mom. But right now he’s pretty content, and I’m having a good time too. As I’ve said, I haven’t spent much time with him lately. So I send Sarah back to listen to Gaiman. I’ve heard him speak a couple times before, but she hasn’t.

Oot and I explore a the visitor center. There’s a little wooden bridge that goes over a stream, and it’s really exciting to him. Unfortunately, he’s not too steady on the going up or the coming down. But that’s what makes it exciting for him, I think. I hold his hand and he goes up and down. Up and down.

I’ve brought along a wooden spoon and we play with it. There’s a lot you can do with a wooden spoon. Not only does it go in your mouth, which is fun, but you can bang it on things. You can also poke things with the spoon.

Sarah comes back to check on us. I give her the thumbs up and make a shooing motion. She goes back to listen to Gaiman.

Oot makes it clear that he is determined to explore the trashcan. It is on the floor, and therefore part of his domain. He will not be thwarted in his desire so long as he remains on the floor.

So I pick him up and we walk around for a bit. He can say words other than than “duck.” He can also say, “that.” To the untrained ear, these might sound the same, but I can tell the difference between “duck” “dog” “that” and “dad” though I doubt any linguist in the world could do the same.

So I carry him around and he points at things. When he points, he says, “that.” I’m not entirely sure what he means when he says this, though I have theories. Sometimes I think he’s curious about something he sees, so I tell him what it’s called. Sometimes I think he wants to touch it, so we go touch it.

But most of the time, I think he’s just enjoying being able to communicate. It has to be hard for babies. For so many months all they have is one way to express themselves. They can cry. They have one note, and they have to use it for everything: hunger, discomfort, frustration, boredom, loneliness.

Later on they learn more notes. They can laugh to express joy. They can grunt or suck or grab to express desire. But that’s it. Still very limited.

But now Oot can point and say, “that.” This is a big deal. This is levels beyond what he could do a few months ago. This is abstract.  He’s not just feeling something, he’s actively focusing his attention. He’s apprehending. This isn’t just expression, it’s communication.

What he’s really doing, I think, is saying, “Look. I can see a thing. I’m aware of it, and I want you to know that I’m aware of it.”

At this point in his life, this is the closest he can come to telling me a story.

This is a big deal. So we walk around looking at things. There’s a plant with a bright flower all yellow and red. There’s a wooden bench. There’s a wall. He points at them. He says, “that.”

I nod and point, too. “That,” I agree.

I put him back in his coat,  and together we go back to the tent. We listen to the very end of Neil’s Q&A. People laugh. People applaud. Oot claps too. He smiles. He doesn’t really understand what the applause is for. He’s not clapping for anything. When he claps, he’s saying, “I know something good has happened, and I’m a part of it. We’re all happy.”

And he’s right.

Part two [soon]

Also posted in musings, My checkered past, Neil Gaiman, Oot, the longest fucking blog ever | By Pat54 Responses

Kvothe and Friends

So a while back, Oot had his first birthday. Which meant that he had his first birthday party.

Personally, I didn’t really see the point in this. While my baby is a lump of weaponized cute, he is still mostly a lump. He doesn’t know it’s his birthday. He doesn’t even know it’s a party.

And as for presents, they’re really lost on him. One of the many things Oot and I have in common is the ability to be vastly amused by common household items. Given the choice to play with a cardboard tube and, say, a Porsche, both of us would probably end up playing with the tube.

All of that said, the party was a good time, and an excuse to see a lot of friends that I haven’t seen for a long time.

And as for the presents…

Book-in-Leaves
… one was a little cooler than the rest.

For me, that is. I don’t think Oot will be able to appreciate it for a while. Let’s get a close-up…

(You might need to embiggen this to appreciate it.)

It’s a book one of my friends made by taping pictures over one of those heavy-duty kid books with the cardboard pages. Most of the art came from various places on Deviantart.

(Though the cover is by Marc Simonetti from the French translation of my book.)

Want to read along with me?

This version of Kvothe is by Lucy Artiss. She is a lovely person who I met at a booksigning in London more than a year ago. She gave me copies of her drawings of Kvothe, Denna, and Kvothe’s parents, which I absolutely adored. I’ve been meaning to write a blog about them ever since, but with one thing and another, I just never got around to it. Because I’m a jerk.

Kvothe and Wagon.

When I read this to Oot, I usually say, “Denna is hot as nobody’s business.” Then, if Sarah is around, I also add, “She is also a little bit crazy. Most women are crazy. But that’s okay, because crazy women are strangely compelling and roughly 35% hotter than ordinary women.”

The art is another one of Lucy’s.

Picture credit for Auri.

Picture credit for The Wind.

That’s all for now folks. I’ve got to get back to revisions….

pat

Also posted in cool things, Oot | By Pat64 Responses
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