This is part of my San Diego ComicCon diary from 2011. It’s sort of the middle of the story.
If you want the whole story, you might want to start reading at the beginning. Other parts include: Wednesday, Thursday Part I, and Friday Ad Infinitum.
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Before I tell the story of Wootstock, I should give you a little background so things will make sense.
A stab at definition.
For those of you that don’t know about it, Wootstock is….
Wootstock is….
Well, it’s just Wootstock.
It’s sort of like a modern variety show. (Except nobody knows what a variety show is these days.)
Imagine A Prairie Home Companion if it was run by a bunch of sci-fi nerds. (Man, that’s no good either, does anyone else other than me listen to A Prairie Home Companion?)
Okay. How about this. There’s music. There’s comedy. There’s music-comedy. There’s skits. There’s cussing and nerd humor and poetry and, well…
It’s pretty much a big geek performance orgy.
Honestly, I’ve wanted a piece of Wootstock for ages. Ever since I first heard about it, I wanted in.
Now did I get a piece of the action?
I got an invitation from Ernest Cline.
I mentioned his book on the blog a while back. It’s called Ready Player One. And not only did I like it enough to give it a blurb. I liked it enough to dig up his e-mail address and gush to him directly about how much I loved it.
I think the entire content of my first e-mail was, “Your book is fucking awesome.”
I tried to get them to use that for the blurb on the back, (“This book is fucking awesome.” — Patrick Rothfuss) But their marketing people wouldn’t go for it.
Anyway, Ernest got an invite to Wootstock from Wil Wheaton, who is narrating the audiobook of Ready Player One. Ernest, being a generous human being, asked if I’d like to share some of his stage time.
I said yes. I said it in a firm, manly, baritone. Then I hung up the phone and laughed my most maniacal laugh.
Right. So. We all on the same page here?
7:00 – Backstage.
I walk up to the side door of the Balboa Theater in San Diego. Someone was waiting for me at the door, where they gave me this:
My very first All Access pass. It makes me feel like a rockstar.
I go backstage and down into the secret parts of the theater. It’s a magical sort of place. It’s a secret place that only the performers get to see, and it’s electric in a way that’s hard to describe. Everyone there is getting ready for the show. They’re excited, and a little nervous, and happy to see each other. Plus it’s comic-con, so we’re all a little exhausted. And a few of us are slightly tipsy, too… (Though not me, as I’m not much of a drinker.)
There’s a blur of people all over the place. Some of them I recognize, like Adam Savage from Mythbusters. And the guys from Rifftrax (who used to do MST3K.)
I’m introduced to a few people in a whirlwind fashion. I shake hands and nod at names. But they all run out of me like water. If I say, “someone said” or “someone did” I’m not trying to protect anyone’s identity, or snub them. It’s because a lot of the evening is a blur to me. I suck at meeting people, and I only have space in my head for about 5 new names.
Then I turn around and Wil Wheaton is there.
It’s weird meeting someone you kinda already know. And I kinda know Wil from a bunch of different directions. From his blog, from Star Trek, from his books, and from the Guild.
Plus we e-mailed just a little a day or two before Wootstock. I won’t bullshit you, that made me kinda tingly.
Anyway, we’re introduced, and we shake hands. He thanks me for the nice things I said about his book on my blog. And I’m a little surprised that he’s read it, though I shouldn’t be, I suppose. I tell him that I loved it.
That’s all we have time for. The stage manager is gathering everyone up to make some announcements before the show.
We all jam into a room and Liz is introduced. She is the boss. She tells us how it’s all going to work. She tells us we can watch from backstage, and that we should, so that we don’t miss our cues. She tells us to stick to our allotted time. She tells us where the beer and pizza are.
Everyone else nods attentively. There are a few jokes. But all of this is old hat for most of them.
Me? I’m grinning like an idiot. The show hasn’t even started yet and I’m having the best time….
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I should explain something. I used to do lots of group-performance type things. I used to sing in choirs. I used to do radio comedy. I used to act a little, and did a few plays, a musical or two.
I even used to do a little improv comedy. Which is like a trial by fire. Once you do improv comedy, no other type of performance will ever truly frighten you.
Now I didn’t do a lot of these things seriously. But I did them. I enjoyed them.
And I miss them.
You see, one of the downsides of being a writer is that it’s a very solitary occupation. If everything is going well with my writing, I’ll spend 10-12 hours a day alone, and the rest of my time sleeping. (Also alone, usually.)
When I do get out to do a reading or a convention, I have a lot of fun. I enjoy meeting fans and signing books. I enjoy doing Q&A and reading stuff to an audience. It’s a nice opportunity for me to go out and be social.
But while it’s social, it’s a very solitary type of performance. I’m up in front of 200-600 people talking. There’s just me and the audience.
I’d forgotten what it was like to be part of a group of performers. To be a piece of a WE.
It feels great.
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Liz makes one last announcement. They’ve gone to the worst seat in the house and borrowed the person’s camera. They’re going to pass it around backstage and we’ll all take pictures with it. That way the poor schlub with the worst seat will have a cool memento of the show and, as a bonus, the pictures will go online so everyone can use them.
It’s only because of the photoset that I have a shot of Ernest and me backstage, wherein I am getting my Kawaii on.
The show kicks off, and after cadging a piece of free pizza, I head upstairs we head up onto stage and watch the show from the wings. The theatre is gorgeous. A place with some real style to it.
It’s certainly the biggest house I’ve ever played to, and I’m a little nervous. But despite the fact that I’m anxiously fretting over what exactly I’m going to read, I can’t help but get pulled in by Molly Lewis playing the ukulele.
Her songs crack me up as I watch from backstage, and it helps me relax a bit.
Then, as I’m watching her play, a little motion catches my attention from the corner of my eye. So I look over and see Wil Wheaton dancing.
Before that point, I liked Wil Wheaton. I knew he was cool. I respected him as a writer, enjoyed him as a performer, and admired him as a strong, smart, outspoken member of the geek community.
But backstage in the Balboa theatre, I watched Wil Wheaton do a happy, goofy little dance, and that was when I started to love him.
Soon afterwards, Ernest gets his cue and heads out onto stage. He reads some hardcore geek poetry. Good stuff. He’s a good performer, too. Gets a good reaction from the crowd.
Then he introduces me. I’m a surprise guest of sorts, as I’m not on the program. People cheer when they hear my name, which is kind of a shock. It’s then that I decide what I’m going to read. I’m not going to try to follow Ernest’s poetry with more poetry. I think he’s got me beat in that regard.
I’m not going to read a piece out of my book, either. Too clunky. I even decide against reading a piece of a short story I’m working on.
No. A whole theatre of people cheering and my new man-crush Wil Wheaton watching from the wings means I go straight to my best material. The piece I keep in my back pocket whenever I do a reading. My sure-fire winner. My big gun.
I pull out The Guinea Pig Story.
Those of you who have seen me at a live reading might have heard it. Most of you have not.
It’s one of of the humor pieces I wrote back in college. Theoretically I was writing an advice column, but realistically I was making fun of people and telling incriminating stories about my life.
Here’s the only video I was able to find of the performance. The first little bit of my performance is cut off there, but it’s only about a sentence of the letter someone wrote in, asking for advice about keeping pets in their dormroom.
[Edit: After searching around a bit, I found another video from farther back in the audience that shows my performance AND Ernest's with Wil Wheaton's introduction.]
I got a great reaction from the audience, and left the stage feeling roughly ten thousand feet tall.
8:00 – Random House Party
After hanging around for a while and watching a few more acts, Ernest said he was going over to the Random House party and asked if I’d like to come along.
Though I was loathe to leave, I figured I should go and rub some elbows with some more bookish types. That’s kinda my job in some ways.
So I went to the party, hung out with some folks, and ended up riding a mechanical bull.
Why? No. Why is not the right question. I was at San Diego ComicCon. The proper question is “why the fuck not?”
That party was fun, but after about 45 minutes, I made my excuses and headed back to Wootstock. Because, y’know, Wootstock.
9:00 ish – More Wootstock.
I got back just in time for intermission, where I amused myself by handing out copies of the Chick Tract Dark Dungeons to members of the audience. I hope nobody thought I was serious….
After all my tracts were gone, I used my fancy pass to get backstage, feeling rockstar all over again. I wandered down to the dressing rooms and bumped into Felicia Day, who was also a surprise guest. I got a free hug and we chatted for about forty-five seconds before someone tells her she’s about to miss her entrance cue.
Somehow, someone managed to catch us on film during that brief moment. Proving that I’m not a big fibber.
I hang around and chat with folk, occasionally watching some of the show from backstage. I catch Jeff Lewis (Vork, for you Guildies out there) doing a piece of honest-to-god standup comedy. The man has amazing comic timing and delivery. As you’d already know if you were watching The Jeff Lewis 5-minute Comedy Hour.
11:30 ish – Autographing.
Eventually the show wraps up with a great closing number that I watch from the wings. Then I head downstairs to get my backpack and maybe another slice of pizza before I head out. When I’m gathering up my stuff, someone asks if I want to stick around and sign autographs. I shrug and agree, because I have nowhere else in particular to be.
Now over the last couple of years I’ve done a lot of signings. It’s old hat in a lot of ways. Usually I’m all alone. I’m a one-man-show.
But this one was different. A bunch of the performers were sticking around to sign posters and programs.
What’s more, at Wootstock, most of the people could give a damn about me. They’re there to see Wheaton, or Savage, or bask in the radiant glory of Paul and Storm.
And you know what? It was nice doing a signing where most folks didn’t care who I was. It gave me a chance to goof off and get to know the people sitting on either side of me. To my left was the aforementioned Molly Lewis. And to my right was someone I didn’t know at all, but I quickly learned that she was Amy Berg, writer/producer for Eureka (among many other things.)
So we hang out and chat as the line of people slowly trickles past. I’m feeling pretty relaxed. I’ve had a good day. I was on a panel with George Martin, had dinner with Jim Butcher, and got to chat with Wil Wheaton. I went to a party with an actual velvet rope, and the bouncer nodded me through even though I wasn’t on the list. I rode the mechanical bull and didn’t hurt myself. I got a hug from Felicia day and made a thousand people laugh….
It’s been a busy 14 hours, and I’m in that warm, happy place that comes when you know you don’t have to work any more. And, because I’m in a good mood, I start to joke around with the people coming through the line….
And that’s when I *really* start to get to know the people sitting on either side of me. I draw a picture of a duck on someone’s poster, and they mock me for its utter terribleness. They mocked me with a sharp-tongued viciousness I haven’t experienced since most of my best friends moved away from Stevens Point.
So I abandoned drawing and started signing clever things on the posters. Then my neighbors started writing things on their posters that were clever-er. And I feel really put out by this, because normally *I* get to be the witty one, and they were out wittying me without hardly trying. I felt the sudden need to step up my game, to say nothing of wanting to buy some of Molly’s music and catch up on the current season of Eureka….
The signing went on for at least a couple hours, and it was the perfect end to the perfect day. As I left the theater I felt that strange, glowy feeling that comes when you level up. It wasn’t until I got home that I found out where the XP boost had come from:
Best of all, I’d made it through two entire days at the convention without making an ass of myself in front of anyone.
But then again, it was only Thursday….
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Sorry this one was so long delayed. More soon…
pat
















New Year’s Resolutions
I’m not the sort of person who makes new year’s resolutions.
In fact, I don’t think I’ve ever made any new year’s resolutions. Ever.
But yesterday, I wandered onto goodreads and fired up this little “reading challenge” widget they have. There’s not much to it. You set a goal for how many books you want to read over the course of the year, then this thing tracks your progress.
Last year I tried it on a whim and made my goal of 150 books even though I was sloppy about keeping track. This year I decided to shoot for 250, which is probably closer to what I actually read in a year.
Ever since I fired up that silly little widget, I’ve been thinking about new year’s resolutions. Which is odd, because, like I said, I don’t typically go in for that sort of thing.
Philosophically, the concept of making a resolution has never made much sense to me. It seems to me that if you really want to do something, you should just fucking do it. Resolving to do it is sort of a bullshit intermediary step. If I’m hungry, I don’t *resolve* to go eat lunch. I just find food and put it in my mouth. Simple. Problem solved.
So why am I thinking about New Year’s Resolutions?
I think the main reason is that I had a really great New Years. Some friends came to visit. We played board games, did some tabletop role-playing, and just hung out.
It was the most fun I’ve had in ages. And after everyone went home, I felt good. Not just happy, but physically and emotionally healthy. I felt like a million dollars.
No. I felt better than that. I felt like a second season of Firefly.
Seriously. A full 22 episode season. I felt that good.
Ever since then, I’ve been rolling it around in my head. 2011 was a pretty good year for me. Book two was finally published. The Wise Man’s Fear hit #1 on the New York Times. I met Terry Pratchett, got to perform at Wootstock, and attended some very cool conventions.
(Speaking of conventions. I’m Guest of Honor at Confusion later this month. You should swing on by if you can. Jim Hines is going to be there, as is Joe Abercrombie, Peter V. Brett, Brent Weeks….
Holy shit. Robin Hobb is going to be there too. I didn’t know that until I just checked their website. How awesome is that?)
But anyway, yeah. 2011 was my first official signing tour. I met thousands of my readers all over the country. (Though I realize now, as I go looking for a link, that I never got around to blogging about that. I probably should at some point.)
For now, a picture will suffice. Here’s a shot I took from the podium at my first signing of the tour in Seattle.
If you look at the highlight reel of 2011, it looks like I’m living the dream.
I’ve actually had people say that to me over this last year: “Congratulations! You’re living the dream!”
I know they’re just excited for me. But whenever I hear that, I think, “Whose dream? I don’t ever remember dreaming this….”
Now don’t get be wrong. Parts of this year have been profoundly cool. I love conventions. I love talking about writing and hanging out with readers. I love getting to meet authors that I’ve been reading my whole life.
But the fact remains that a lot of times, after going to a convention I feel exhausted and hammered flat on both sides.
On the other hand, after hanging out with my friends on New Years, I feel like I could lift a truck over my head with one hand, then go write for ten hours straight.
Looking back over these last couple years, I realize that most of my close friends left town back in 2007, just as my first book was getting published. They were getting jobs in other parts of the country, going to grad school, joining Americorp….
I missed them, of course, but I was plenty busy getting used to the whole published-author life. I started writing this blog. I signed up for Facebook. I did some signings, started attending conventions….
At the same time, I quit teaching at the University. Quit coaching fencing. Quit acting as advisor to the College Feminists.
When I look at things with the clarity of hindsight, it’s blindingly obvious what the end result of all this is: I’m suffering from a rather specialized sort of social isolation. The sort of isolation where I can go online at any point and interact with 10,000 people.
I never thought of it like this before, but hanging out with friends is psychologically healthy. Facebook and blogging and going to conventions is the social equivalent of eating Pringles. It’s fun. It’s tasty. It’s relatively harmless in moderation. But if you eat nothing *but* Pringles, you die.
Similarly, lack of genuine hanging out with real friends must lead to a sort of psychological scurvy.
This is the situation I’ve accidentally backed into.It wasn’t until I hung out with my old friends again that I realized how much I missed that. How much some part of me was starving.
So. Over these last couple days I’ve been thinking about my life. I’ve been thinking about the difference between things I do that are fun, and things I do that actually make me happy.
For example, playing some stupid flash game on my computer might be fun, but playing board games with my friends makes me happy.
Or, for another example, it might be fun to do a reading at a convention, but hanging out with little Oot makes me happy.
The difference seems to be this. If something is merely fun, it’s mostly enjoyable while you’re doing it. Something that makes you happy is different. It’s enjoyable afterwards, too. Minesweeper and cocaine are fun (reportingly.) But talking with Oot about ducks or watching Buffy with friends make me happy.
Now don’t get me wrong. I’m not saying that fun doesn’t have its place. I plan on playing the hell out of Skyrim when I have the chance.
What I’m saying is that my priorities have gotten seriously out of alignment. These days, flying to San Diego for a convention don’t just feel easy, it seems like a professionally responsible for me to do. At the same time, driving down to Madison to hang out with friends, have dinner, and watch Avenue Q seems like an extravigant and impractical use of my time.
That’s some fucked up mental arithmetic.
So, in an effort to de-kink my thinkings, I’ve decided to make some changes to my life.
In fact, I’ve done more than merely *decide* to do these things. I’ve built up bad habits in these last years, and it’s going to take some effort to break them. So I’m going to *resolve* to do them.
Here they are:
1. I’m going to hang out with Oot at least two hours every day. I’m going to make it a priority, rather than something I try to fit in around the edges of the other stuff I have going on in my life.
2. I’m going to do my damnedest to hang out with my friends at least twice a month for the express purpose of playing games, hanging out, watching movies, and just generally dicking around.
3. I’m going to start exercising at least three times a week. Because, y’know, I don’t really want to die from author-related sitting-on-my-ass-ness.
At this point, the righteous self-improvement impulse starts to gather steam and I’m tempted to continue adding things. Turning this into a laundry list of me-betterment that include things like, “pet more fluffy kittens,” “smell even better,” and “floss regularly.”
But no. I’d rather pick three important things and actually do them, rather than list 50 things then get frustrated and quit after a month.
Why am I posting these things here on the blog?
The simple answer is because… well… writing things out helps me figure out where exactly my head is on a particular subject.
In fact, I just now realize that’s a lot of the reason I bother with the blog. If my friends still lived in town, I’d hang out with them and chat about this stuff in my living room, using them as a sort of sounding board. But since they don’t, I kinda hang out in my head with y’all and write blogs.
Which, now that I’m thinking about it, might be kinda crazy behavior.
The other reason I’m posting this up here is because I know myself pretty well. I’m prideful. If I make a public declaration like this, I’m much more likely to follow through with it.
Lastly, I figured I might as well post my musings up here with the hope they might be interesting/helpful to anyone else who is having trouble adjusting to this whole living life as a grown-up thing. I was really good at being a broke, mouthy, irreverent college student. But this being-an-adult shit can be really hard sometimes….
Feel free to post up your own resolutions in the comments. Especially if you’re like me, and think that going public might help you keep them.
Keep on tranglin,
pat