Halloween has always been one of my favorite holidays.
When I was young, I dressed up and went trick-or-treating in my Grampa’s neighborhood because we lived out in the country.

Me, my sister Jamie (the witch), and two of our cousins.
When I was in highschool, I toilet papered people’s houses. (Mostly friends’ houses, honestly. It was a sign of affection.)
When I was in college, I started throwing parties. In fact, I think the first party ever threw was a Halloween party back in 1993. The theme was “Come as your favorite god.” I dressed as Pan, and later that night, downtown with my friends, I got into the only fight of my life dressed in nothing but a leather vest, horns, and a pair of furry tights.
Later in my life, after I had sold my book but before I was published, I went to the Penguin Halloween party dressed as a garden gnome. (Penguin the publisher. It was not a party for actual penguins.)

Note: this was before Anton Strout put on his costume.
I had a smashingly good time. It was the first time I met most of the folks I still work with to this day. Honestly, I can’t think of a better way to start our professional relationships off on the right foot.
I mention these things to give you a frame of reference. Halloween is one of my favorite Holidays.
Earlier this year, my lovely assistant Valerie brought some cool news to my attention. Neil Gaiman was having an event at House on the Rock over Halloween weekend. I was thrilled. I bought tickets for me, Sarah and Oot, my sister, as well as Valerie and several friends.
True, it meant I would have to miss the World Fantasy Convention again. And that’s a convention that, as as professional, I should really make an effort to attend. But this was all the coolness of Halloween, plus Neil Gaiman, PLUS House on the Rock. It was like some sort of mythic trifecta. On top of it all, the event was close enough for me to drive to.
How could I not go?
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By the time Friday the 29th rolls around I am a complete mess. I’ve been revising The Wise Man’s Fear for months. Endless revision. Sometimes for fourteen hours at a stretch. My deadline looms over me, and the thought of having to finally let go of the book forever is absolutely terrifying.
At this point I know that planning on going to the House on the Rock was a huge mistake. I have to turn in the book on Nov 1st, and they’re going to use that version to print the Advance Reading Copies of the book. It’s not the final draft of the book, but it’s the version major reviewers and bookbuyers will read. This is a big deal.
Everyone says it will be good for me to get away for the weekend. I need a vacation. I’ve earned it. Etc. But the truth is, if I stayed home, I know I could get another 30 hours of work done on the book.
But I have to go. Sarah will be disappointed if I don’t. I’m meeting friends there, one of them I haven’t seen in more than a year. I’m part of a group costume. I’m moderating a panel on Saturday. I have to go.
We’re late leaving for House on the Rock. It’s my fault, I spent all night revising and didn’t pack. Since I only got four hours of sleep, Sarah offers to drive, and I ride in the back next to Oot. It’s nice, because I don’t get to spend as much time with him as I like. The two and a half hours in the car is more time than I’ve spent with him in the last three days combined.
Oot and I hang out on the ride down to Spring Green. I make up little songs for him. We both play with his feet. He can say “duck” now, so that gives us something to talk about.
Eventually he falls asleep, and I’m thinking of doing the same when the Magellan starts giving us bullshit directions. I don’t handle it well, and I’m bitchy at Sarah and her co-pilot Joyce. They deal with my bullshit with remarkable aplomb.
We make it to House on the Rock with time to spare. There’s some confusion with the tickets, but the House on the Rock people are cool and it all gets worked out.
I meet a couple of friends. I meet my sister. She’s one of my favorite people, and I don’t get to see her nearly as often as I’d like. Hanging out with her helps me settle my shit down a little. We share Oot back and forth, taking turns holding him. The three of us talk about ducks.
7:00 rolls around. The beginning of the festivities. Neil Gaiman is doing a reading and Q&A in a big tent next to the visitor’s center. We take places in the back, partly because I’m a lurker, and partly so that if Oot gets scrawbly we can take him out the back exit before he bothers folks.
Gaiman is charming as always. Gentle and funny and well-spoken. I’ve never heard him otherwise. Oot does get a little noisy. Not fussy, he just likes to talk and doesn’t understand that sometimes he just has to shush. He gets that from me. Sarah takes him out of the tent for a bit. Then she comes back and I grab Oot so she can listen to Gaiman for a while.
Oot and I go into the visitor center so he can take off his coat and walk around. He’s a pretty good walker now, and doesn’t fall very much at all.
Sarah comes in and checks on us ten minutes later. I appreciate that. Sometimes Oot gets unhappy, and nothing can make it better but mom. But right now he’s pretty content, and I’m having a good time too. As I’ve said, I haven’t spent much time with him lately. So I send Sarah back to listen to Gaiman. I’ve heard him speak a couple times before, but she hasn’t.
Oot and I explore a the visitor center. There’s a little wooden bridge that goes over a stream, and it’s really exciting to him. Unfortunately, he’s not too steady on the going up or the coming down. But that’s what makes it exciting for him, I think. I hold his hand and he goes up and down. Up and down.
I’ve brought along a wooden spoon and we play with it. There’s a lot you can do with a wooden spoon. Not only does it go in your mouth, which is fun, but you can bang it on things. You can also poke things with the spoon.
Sarah comes back to check on us. I give her the thumbs up and make a shooing motion. She goes back to listen to Gaiman.
Oot makes it clear that he is determined to explore the trashcan. It is on the floor, and therefore part of his domain. He will not be thwarted in his desire so long as he remains on the floor.
So I pick him up and we walk around for a bit. He can say words other than than “duck.” He can also say, “that.” To the untrained ear, these might sound the same, but I can tell the difference between “duck” “dog” “that” and “dad” though I doubt any linguist in the world could do the same.
So I carry him around and he points at things. When he points, he says, “that.” I’m not entirely sure what he means when he says this, though I have theories. Sometimes I think he’s curious about something he sees, so I tell him what it’s called. Sometimes I think he wants to touch it, so we go touch it.
But most of the time, I think he’s just enjoying being able to communicate. It has to be hard for babies. For so many months all they have is one way to express themselves. They can cry. They have one note, and they have to use it for everything: hunger, discomfort, frustration, boredom, loneliness.
Later on they learn more notes. They can laugh to express joy. They can grunt or suck or grab to express desire. But that’s it. Still very limited.
But now Oot can point and say, “that.” This is a big deal. This is levels beyond what he could do a few months ago. This is abstract. He’s not just feeling something, he’s actively focusing his attention. He’s apprehending. This isn’t just expression, it’s communication.
What he’s really doing, I think, is saying, “Look. I can see a thing. I’m aware of it, and I want you to know that I’m aware of it.”
At this point in his life, this is the closest he can come to telling me a story.
This is a big deal. So we walk around looking at things. There’s a plant with a bright flower all yellow and red. There’s a wooden bench. There’s a wall. He points at them. He says, “that.”
I nod and point, too. “That,” I agree.
I put him back in his coat, and together we go back to the tent. We listen to the very end of Neil’s Q&A. People laugh. People applaud. Oot claps too. He smiles. He doesn’t really understand what the applause is for. He’s not clapping for anything. When he claps, he’s saying, “I know something good has happened, and I’m a part of it. We’re all happy.”
And he’s right.
Part two [soon]
Meeting Terry Pratchett
So as I mentioned yesterday, while I was at NADWcon this weekend, I got the chance to get a book signed by Terry Pratchett.
The thought of getting a book signed is an odd one to me. In these last several months, it’s possible that I’ve signed thousands of books. Many thousands. I’ve signed books to families, to kids, to grandparents. I’ve signed books in warehouses, libraries, bookstores, and colleges….
But honestly, I don’t know if I’ve ever approached someone to get their autograph. Not in a formal setting. And certainly not anyone of Terry Pratchett’s status. Not someone I’ve been reading since I stumbled onto a copy of Sourcery in Shopko in 1989….
By the time Monday rolled around, I’d been at the convention for three solid days. And truth be told, I was kinda hoping that I might run into Terry at some point in that time. Maybe we’d be in the elevator together. Maybe we’d meet in the hallway on the way to a panel. Maybe someone would introduce us and I’d get a chance to say a few words….
But it didn’t happen. I wasn’t surprised or disappointed. I know how these things work. It’s a big con, and Terry’s the star of the show. They have to work hard to protect the Guest of Honor at events like this or they’re mobbed by fans. If they aren’t careful, a guest like Terry will have a hard time finding a moment’s peace to eat. I’ve seen some titan-level writers who have trouble simply walking down a hallway at a con without a handful of people asking for an autograph or a picture.
So I didn’t stalk Pratchett. I didn’t arrange an introduction, or just happen to bump into him somewhere. Even when I found out that his room was right next to mine in the hotel, I didn’t do anything like leave a copy of The Princess and Mr. Whiffle outside his door. I didn’t want to be that guy.
The signings were carefully controlled, too. They have to be. Terry has written more than 50 books, and everyone there would like nothing more than to get a bunch signed. If they let everyone get as many books signed as they’d like, Terry would have spent the entire length of the four-day convention signing books.
I’m not being hyperbolic here. It’s the literal truth. He could easily have spent 70 hours signing books if the convention didn’t work hard to control the situation.
This is something I understand only now that I’ve been on my first signing tour.
Take me, for example. I’m a newbie author. I have two books out (compared to Pratchett’s 50+). I’ve been published for four years (compared Pratchett’s 40.)
To put this in different terms, I am currently hovering around 2300 Gaiman-Day units of cool, which isn’t bad.
But Pratchett probably ranks in at more than 60,000. I mean, when you write so well they actually knight you, you’re kind of a big deal.
Despite my relatively newbie nature, when I showed up in Houston back in March, I signed books for 9 hours straight. Given that I’m about 2% of a Pratchett, you can see how quickly one of his signings could spiral into madness if it wasn’t carefully controlled.
My point is, I knew Pratchett wasn’t going to be signing books all higgledy piggledy at the con. Even if he signed a single book for every person there, it would take him 12 hours. Because of that, I knew I probably wasn’t going to have a chance to get anything signed.
That said, I was pleasantly surprised when the guest liaison for the convention told me that if I wanted, he might be able to pull a few little strings for me. Maybe enough for me to get a book signed. Maybe.
I was honest, and said I’d be grateful for the chance. If I could get a book signed, I’d be able to use it for the charity I run every year.
He said that if the book was for charity, we could almost certainly make it happen.
So I bought a copy of Nation from Dreamhaven in the dealer’s room, and on Monday, I wandered to the hall where Terry was signing. He was mostly autographing stuff items that had been sold at the charity auction the day before. I’d had to miss the auction because I was doing some paneling. But it was probably for the best, as I’d already spent more money than I should on swag.
The guest liaison motioned me over and told me it was cool if I got something signed. It really didn’t have to be for the charity, either, he said. I could just get something for myself.
Suddenly I was really conflicted. I’d brought a copy of Where’s My Cow? to the convention, because whenever we travel with Oot, we need to bring about a dozen books to keep him happy. (He’s like his dad that way.)
I’ve been reading Where’s My Cow? to Oot since before he could talk. It’s a great book, and the ending makes me a little weepy, because I’ve turned into a total soppy git ever since I became a dad.
Oot knows what noises the animals make, even the Hippopotamus. He really likes the page with Coffin’ Henry on it, too, and asks to see it again and again.
He also enthusiastically says, “Buggrit!” Which is a little troubling to Sarah, but pleases me to no end.
So when the guest liaison says I can get any book signed, I realize I have Where is My Cow? in my backpack. I could get Pratchett to sign the book to Oot….
It’s a hard moment, but I decide to get Nation signed for Worldbuilders instead. Because personal isn’t the same as important. The signed book will be a nice draw for Worldbuilders if we throw it into the general mix of prizes. And if we auction it, I’m guessing it will bring in at least a couple hundred bucks. That’s enough for a couple of goats….
I consider trying to get both signed, of course. Because I’m only human. Terry is a nice guy, and accommodating, so I’m guessing if I pulled a second book out of my bag when I was at the table he’d go for it….
But I shake off the thought fairly quickly. I am not a special snowflake. I don’t deserve to get two books signed when everybody else gets one. If everyone tried to pull that shit, Terry would have an extra 2000 books to sign.
The guest liaison brings me up to the table and introduces me, explaining that I’m fellow author and that I’ve hit the New York Times with both my books. That’s nice of him. It lets me stand a little taller.
Terry looks up at me and says, “I’m guessing you’re fantasy, not science fiction.”
I grin and nod. “We do have a certain look, don’t we?”
I’m pleasantly surprised by the fact that I don’t feel terribly tongue-tied or shaky or awkward.
[Author's note: Sarah just brought Oot in after his shower. He grinned at me and, "Bugit! ... Hand and shrimp! Fow Ron!" (This will only make sense if you've read a lot of Discworld or Where's My Cow?)]
I hand over the copy of Nation and say, “This book was absolutely gorgeous. It might be the best book I’ve ever read.”
“I got a lot of letters from children,” Terry says. “They were upset because it didn’t have a happy ending.”
He opens the book and signs his name. His signature is way loopier than mine.
Terry keeps talking as he signs, “But I always reply, ‘It has a ending. It has the right ending.”
“It has the perfect ending,” I say. “It was beautiful. It absolutely broke my heart.”
And that was it. I moved away and made room for the rest of the folk who had things for him to sign.
Would I have liked to talk longer? Maybe chat about writing and the art of ending? Of course. Who wouldn’t?
But there’s only so much time. And honestly, I was happy to wrap things up before I accidentally made an ass of myself.
Besides, though Pratchett didn’t know it, he’s said about the best thing possible to me. I worry about the ending of my story sometimes. I worry that people won’t like it. Most of my readers are hoping for a particular type of ending. They e-mail me with their theories and their hopes. They want X to hook up with Y. They want Z to get his comeuppance. They want such and such story tied up in a certain way….
I know it comes from a place of love. But it makes me nervous.
After talking to Terry, I’m less nervous. I can’t give each of you your own personalize ending, containing everything you specifically wanted out of the story. That’s impossible.
But I can give you the right ending. A perfect ending.
That’s all for now. If you have a spare moment, send a good thought this way tomorrow.
I don’t want to give any specifics, but tomorrow is going to be a little rough for us. If everything goes well it won’t be a big deal. But still, if you have a spare thought, Oot and Sarah and I could use it, just for luck.
Later,
pat