Category Archives: side projects

The New Coolness or How I Accidentally Published a Calendar

So a couple months ago, I went to Worldcon in Reno. While I was there, I had dinner with some friends of friends. One of those people was artist and illustrator Lee Moyer.

I like graphic artists. I like them because they do something I can’t, which effectively makes them magicians.

They’re also fun to have dinner with. You can get them all worked up about the weirdest shit. They’ll get all frothy talking about color. They’ll doodle on napkins. They’ll criticize the layout of the menu.

Best of all, if they have an ipad with them, you can look at their stuff while you’re waiting for your food to show up. This is not something you can do if you are, say, an author who writes 400,000 word fantasy novels.

At that particular dinner in Reno, Lee did have his ipad on him. He showed me some of his work: book covers, posters, commissions….

“Hold on,” I said, pointing at a tiny thumbnail. “What’s that?”

“Oh,” he said, “That’s a project I’m working on. They’re pin-ups based on literary figures.”

He brought it up on the screen:

“That’s really cool,” I said.

He smiled and pulled up another one:

I had to look at this one for a while. The Twain reference was obvious, but this…

“Oh god,” I said. “That’s Hawthorne, isn’t it? It’s Hester Prynne from the Scarlet Letter. She’s got an A tattooed on her chest!”

He brought up another one:

“That’s got to be Dickens, right?”

Lee nodded.

“What are these for?” I asked.

“A calendar,” he explained. “Literary pin-ups.”

“That’s something I’d hang on my wall,” I said. “Sexy but not smutty. Clever. Bookish. Where can I buy one?”

“I’m having trouble finding someone to print it,” he admitted. “I think people would love it, but the big calendar companies don’t seem interested.”

“You have twelve of these?” I asked.

“Yeah. It’s pretty much all ready to go.”

I looked at the sexy chimney sweep. She smiled at me.

“Hell,” I said. “I’ll print it.”

Lee looked at me oddly. This is not a thing authors normally say to illustrators.

“You see,” I said, “I run a charity called Worldbuilders….”

*     *     *

Fast forward to today.

The calendars are back from the printer and they’re gorgeous. We pulled out all the stops with satin finish and nice heavy paper. They really turned out nice.

I was going to wait until we officially started Worldbuilders to put them up in the store. But the truth is, I’m too excited to wait….

So instead, I’ve decided to give y’all a chance to order the calendar before the fundraiser officially starts up this year. Not only can you get some of your holiday shopping done a little early, but if you order now, we’ll be able to ship them out to you right away, before Worldbuilders starts making things crazy busy around here.

If you’re curious what some of the other months look like, here’s a peek at the back cover:

(Click to Embiggen)

A few additional notes:

1. As always, all the money you spend in The Tinker’s Packs goes directly to Worldbuilders.

2. If you order three calendars, you can get free shipping anywhere in the US. (Or 8 bucks off international shipping.) Just enter the code: LITERACY when you’re checking out.

3. You might want to order sooner rather than later. We’re probably not going to do a second print run of these, so when they’re gone, they’re gone….

4. [Edit 7:30 AM] Please be aware that there are two *different* calendar listings in the store. One of them is for art collectors. It’s signed by the artist, and it doesn’t have any holes punched in it. We’re only doing 50 of those, and we’re selling them for 75 dollars. The regular calendar is much more reasonably priced….

And one last time, just in case you missed the link to the store.

Share and enjoy, folks.

pat

P.S. If you don’t know what Worldbuilders is, you can take a peek at last year’s fundraiser over here.

|posted by Pat 46 Comments

New Publication: Clash of the Geeks.

When The Name of the Wind came out back in 2007, something strange started to happen. Occasionally someone invited me to write something, usually a story for an anthology.

It was a new experience for me. But despite the fact that I was flattered, I turned all the invitations down saying, “I don’t really write many short stories. Besides, I really have to work on getting my second book out.”

I didn’t meet that first deadline for book two for various reasons. But still, I felt like turning down those offers was the responsible thing to do. I was trying to behave like a grown-up, you see.

In 2008 the paperback came out and I hit the New York Times Bestseller list. Because of that I got even more attention. Offers to write comic books, video games,  and more invitations to anthologies.

Again, I turned them down, saying, “I don’t have much experience writing short stories. Besides, I really need to focus on book two.”

A lot of these offers were for really cool anthologies, mind you. It was hard to turn down the chance to be published alongside some other big-name authors. Still, I felt morally obliged to refuse and focus on book two. I was trying hard to be a professional.

I continued along these lines until early this year when Suvudu held their cage match. They paired up various fantasy characters in head-to-head fights. I was flattered that Kvothe was included, but looking at the brackets, I saw that if Kvothe made it to the second round, he’d have to go up against Aslan.

That’s not an easy fight to win, and I kept thinking about how the scene would play out. How exactly, I wondered, would Kvothe win that fight?

Then the folks at Suvudu asked if I’d like to write up my version of the scene. So I did.

And you know what? It was fun. It was amazingly, delightfully fun. I’d actually forgotten how nice it was to write something just for pure shits and giggles. It didn’t eat up my precious writing time as I’d been fearing. Instead, it reminded me how much fun writing could be.

I thought to myself, “Fuck being a grown-up. I started writing to have fun. Now that I’m published, I should be doing fun things…”

And you know what? As soon as I gave up trying to be all professional and responsible (things that don’t come naturally to me, as a rule) my writing immediately improved. I wrote faster, and better, and I had more fun doing it.

Fast forward to earlier this year. I get an e-mail from John Scalzi. He sends me an e-mail that says (This is a paraphrase, mind you.)

Question: Would you have space on your schedule for a short (about 2K) story? It would be for a short (silly) story collection designed to raise money for the Lupus foundation. Deadline end of July-ish. Story doesn’t necessarily have to be “good” in a classic sense; in fact, it might be better if it’s not.

I think to myself. This sounds fun. It’s for charity. It’s short (I can do 2000 words standing on my head.) And he’s pretty much said it’s okay if my story ends up sucking. He’s practically encouraging me to suck.

So I e-mailed Scalzi back, and our e-mail exchange went roughly like this.

ME: Okay, I’m interested. What are the details?

HIM: Write a story about the events leading up to, and culminating in, the attached picture (which is a rough sketch; final picture to come).

(Click to embiggen)

ME: WTF?

HIM: For the sake of clarity, the person at the top is Wil Wheaton; the person at the bottom is me.

ME: Merciful Buddha…. Can you give me any context? Some framework I can use to cage this madness?

HIM: No. No context. Just write something. No slash. Otherwise, knock yourself out.

So there I am, utterly confusticated and bebothered. This is the first piece of short fiction I’ve agreed to write, and all I can think is, “What the fuck can I possibly write about this?”

This question spins around in my head for a couple days. I think, “Can I write a story about Scalzi and Wheaton playing D&D? Is that too geeky?  A holodeck adventure? Too cheap? Do I dare write the absolutely forbidden, ‘It was all just a dream’ story?”

Then it occurs to me that I’m approaching this from the wrong direction. I shouldn’t be trying to turn this picture into a joke. I shouldn’t try to be cute or gimmicky.

No. The events taking place in this picture are obviously epic. My story needs to be epic. And since it can’t be epic in length, it has to be epic in form….

So that’s how I ended up writing a poetic edda. For those of you who aren’t complete geeks, an edda is an old alliterative poem. Like Beowulf. Or the old Norse legends Tolkien ripped off when he was writing the Lord of the Rings.

Once I knew how to handle the story, I ended up having a ton of fun with it. I even brought in a certain celebrity in a cameo role…

Of course poetic edda aren’t supposed to be written in modern English, so I ended up spending a ridiculous amount of time trying to get the meter right. But you know my motto: if it’s worth writing, it’s worth obsessively revising.

And now, months later, I’m finally able to present you with the finished project:

(Beware, lest the awesome blind you…)

Check it out. I get third billing. How cool is that shit?

You can download the anthology for free, but I’d like to politely ask y’all to keep in mind that we’re trying to raise money for the Lupus foundation. For all intents and purposes, these stories are brought to you by the Lupus Foundation.

That means if you can afford it, donating to the cause would be a terribly kind thing to do. I know you have it in you. Make me proud.

You can download the anthology and revel in its majesty over here.

Share and enjoy,

pat

|posted by Pat 80 Comments

A New Addition to the Family

Much to my delight, something arrived in the mail today:

(Click to Embiggen.)

That’s right, I was so excited about finally holding a real-life copy of The Adventures of the Princess and Mr. Whiffle that I actually went outside to take a picture of it.

It was strange outside the house. Everything was very bright and green. There was some sort of fiery orb in the sky that burned me….

Seriously though, I’m so happy with how the book turned out. It’s gorgeous.

Best of all, since these boxes of books showed up today, I’ll be able to take them down to my reading near Milwaukee this Saturday.

That means if you swing by the reading, you’ll be one of the first people to hear me read the whole story. And, if you want, you can buy a copy before they’re even in stores.

The books literally just got in from the printers. So the folks at Subterranean Press are still busy processing them. That means they won’t be shipping for a little bit. But the good news is that if you haven’t ordered it yet, you still have a day or so to get free shipping.

Or you can come down to Waukesha on this Saturday and pick up a copy. Did I mention I’m doing reading and a signing there? I’m pretty sure I did.

Man, I really need to get some sleep. Even new-book excitement can’t change the fact that I’ve been up for 40 hours.

Sweet dreams everyone,

pat

|posted by Pat 57 Comments

Coming Soon: The Adventures of The Princess and Mr. Whiffle.

Let me tell you a story.

Or rather, let me tell you a story about a story. (For those of you who know me, this shouldn’t come as a surprise.)

Back in 2001, when I was toiling in the salt mines of grad school, my girlfriend Sarah and I had very different sleep schedules. I was up late, and she went to bed early.

One night, when she was going to bed, she jokingly asked me to tell her a story.

So I did, starting with with the most saccharine faerie-tale beginning I could think of: “Once upon a time,” I said. “There was a Princess who lived in a Marzapan castle….”

The story was so cute and sweet that it began to irritate me even as I was telling it. And so I twisted it around until it was something entirely different. Something dark and strange. An older sort of Faerie tale.

When I finished, Sarah lay in bed, looking up at me with big eyes. “Now I can’t sleep,” she said.

So I told a second ending to the story. A sweet ending. A funny ending. A happy ending. An ending that made everything all better again. Sarah relaxed.

But that second ending irritated me again. It was too sweet and perfect.

So I gave the story a third ending. The perfect ending. An ending with teeth in it.

That night Sarah didn’t get to sleep in any sort of timely fashion, but the next day she told some friends about it. I repeated the story for them, and one of them said, “I’d love to draw that.”

Now a lot of times, that’s where things would stop. But the friend who spoke up was none other than Nathan Taylor: he’s the guy that drew the map for the US edition of the book. And he turned my puerile scrawlings for the Worldbuilder logo…

Into something cool and respectable looking:

I knew Nate was a great cartoonist and illustrator, as you can see for yourself over here or here.

But he completely blew me away with the illustrations he did for the Princess book. Here’s a little taste:

(Awww…)

Just yesterday, Subterranean Press announced The Adventures of the Princess and Mr. Whiffle: the Thing Beneath the Bed on their website, making it available for pre-order.

So I wanted to mention it here on the blog as quickly as possible. Apparently it’s been selling really quickly, and the limited leatherbound edition they’re printing is already half sold-out. So if you want one of those, you should get over there and order it sooner rather than later.

Edit: Apparently everyone wanted a limited edition, so they sold out about 9:00 this morning. Sorry about that. I don’t think anyone expected it to sell quite so quickly as that.

That said, it’s only the limited edition that sold out. There are still regular hardcovers available.

Also, Bill over at Subterranean Press has offered to throw five ARC copies of the princess book in with his other donations to Worldbuilders. If you win one of those, you get to see the finished product months before it comes out.

  • Five ARC copies of The Adventures of the Princess and Mr. Whiffle: the Thing Beneath the Bed by Patrick Rothfuss and Nathan Taylor. Signed by the Author.

It’s a picture book that’s not for children. I can say with some certainty that it should never be read to children. But it’s perfect for adults with a dark sense of humor and a love of old-school faerie tales.

Stay tuned. We still have a lot more to come. New blogs every day or so…

pat

As always, with thanks to: Subterranean Press.



(Huzzah for Subterranean Press! Double Huzzah!)
|posted by Pat 54 Comments

Conventions, Forwards, and Jetlag.

So right now I’m in LA. I’m in the eye of the storm, schedule-wise. I was at Worldcon last weekend, and I’ll be at GenCon in a couple of days. Right now I’m helping out a little bit with the Writers of the Future workshop.

And when I say, “a bit” I mean just that. The workshop is run by Tim Powers, who (whom?) I’ve mentioned before on the blog, albeit briefly. He’s one of my favorite authors. And not only does he have an amazing grip on the craft of writing, but he’s a great teacher to boot. That means, for the most part, I feel my best contribution to the workshop is to nod and occasionally chime in with an emphatic “hell yes.”

Worldcon was cool. I sat on some panels talked about writing, and generally avoided making too much of an ass of myself. That’s about as much as I can hope for, overally.

I got about 30 people for my reading, which was nice. I read some poetry, a couple humor columns, including one of my old favorites about guinea pigs, and a tiny piece of book two. Not even hardly a taste, just a tease.

I also had my first experience of randomly seeing someone reading my book in public. Unfortunately, it was at a convention, so it only counts for half points, but it was still pretty cool.

I think I freaked out the woman who was reading it though. I walked up to her and said, “That’s my book!” She looked up at me with mingled surprise and horror. Understandable really, that’s how I’d feel if I looked up and saw some freakish hobo-muppet crossbreed grinning down at me.

Next weekend I’ll be at Gencon, doing all manner of panels, readings, and signings. I’ll also be making appearance at the local library, accompanied by the awesome costumers who won the photo contest. A good time will be had by all.

And in related news, I’ve written my first-ever introduction. It’s for the new Order of the Stick collection.

Gech. Stupid hotel computer. I can’t make it display the cover of the book. You’ll just have to follow the link, I guess.

If the comic sounds familiar, it should. Rich Burlew was the cartoonist who did the lovely tribute to Gary Gygax that I linked to a while back.

It was fun writing the forward for the book, as I really love the comic. Plus Rich drew a comic version of me which is pretty dead on. If you’re interested, the book will be available for sale at Gencon, and can be ordered off Rich’s website.

That’s all for now folks,

Pat

|posted by Pat 34 Comments

A Glimpse of Things to Come.

I thought I might mention this, on the off chance that any of you might be interested….

What’s this? An anthology of some sort? Nice cover by Dave McKean. Wow. It’s got a story by Tim Powers. Oooh, one by Kage Baker, too. And another by… me?

Honestly, it’s just weird to see my name included on the cover with these other folks.

So… yeah. There I am in a book that will be coming out in a couple months. And no, I haven’t been dicking around, writing other stories instead of working on the second book. You see, the story included here is actually FROM the second book. It’s called “The Road to Levinshir.” It’s an excerpt from “The Wise Man’s Fear.”

So. Looking for an early taste of book two? Look no further.

Enjoy,

pat

|posted by Pat 25 Comments

Ask the Author #3: Dark Poetry.

Pat,

I’d like to ask about a subject close to my heart:

How do you feel about poetry? Have you ever written any? What is your favorite kind? and in particular how do you feel about Dark Poetry?

Oh and do you feel that getting poems published is maybe easier/harder then publishing a book?

N-
Generally speaking, I like poetry. Specifically, it’s more of a love/hate relationship. I love some types, but a great portion of does nothing but irritate me.

I’ve written poetry in the past and enjoyed it. I believe that if an author loves language and words, then poetry can teach a great deal about how to use those words effectively.

True, all authors use words, but not all authors focus on making them beautiful. Shakespeare loved words, so did Roger Zelazny and Angela Carter. Ray Bradbury also has what I consider a poetical turn of phrase, by which I mean that the language itself it beautiful, regardless of content, character, or cleverness.

Some authors just don’t play that word game. They care more about story, or plot, or character, or… I dunno, unicorns or making money. I’m not being critical here. Those things are important. Those authors can still write good stories, there’s no denying that.

But my favorite authors love words AND character AND story… and sometimes unicorns, I guess.

Even if you aren’t a word-centric writer, poetry can teach you a lot. You know how everyone talks about Hemmingway learning his tight style by writing for newspapers? I think people can learn the same economy of phrase from poetry. In an 80,000 word novel you have space to waste. But in a twelve line poem you need to make every word pay for itself twice. Ideally, poetry is all about the efficient, affective, well-crafted line. Any author will benefit from learning lessons in that vein.

Unfortunately, a lot of poets these days don’t give a damn about a well-crafted line. They think poetry is about getting drunk or wasted and then vomiting their emotions onto a page. These people idolize Ginsberg and Bukowski, but they don’t realize that those poets used an amazing amount of craft in their work.

Where were we….? Oh, Do I like Dark Poetry?

Honestly, I don’t really know what you mean by Dark Poetry. If Dark Poetry is a pages-long free-form rambling discursion on the angsty emoness of a person’s life…. then probably not. Generally speaking those folks have different poetic goals than I do. There’s not much attention to the beauty of the language, which is where my heart lies.

In terms of publishing, I never really tried to get my poetry published in any professional way. But I can make a general statement that I’m reasonably sure is true: the difficulty involved depends on where you’re looking to get published. If you’re trying to hit the big dozen poetry venues where they pay serious money and you get real fame for being there, then it’s going to be hard. Same with publishing, the A-list venues and big publishing houses are like unassailable mountains where you really need a friend on the inside or some really remarkable writing to get in. (Or both, ideally.)

But if all you’re looking for is to see your work in print and have it read by people, there are a lot of smaller venues that do a nice job publishing people’s writing. Not much money or fame, but it can be a good place to start.

Good lord, I thought this was going to be a short post. Sorry for my long windedness. I’ll get to a few other questions later, and, as brevity is the soul of wit, I’ll try to be brief.

pat

|posted by Pat 3 Comments
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